furniture · Contemporary (in Victorian and Anglo-Indian horn-furniture tradition, c. 1860s–1900s design vocabulary)

Horn Tripod Drinks Table with Black Horn Top and Radiating Pale-Horn Spoke Inlay

₹67,000

Excludes 18% GST · added at checkout · Free shipping & authenticity

EMI Availablefrom ₹5,584/mo · 3/6/9/12 mo
MOQ · 2 piecesSold in lots of 2. Lot total · ₹1,34,000
Quantity
Minimum 2

Details

DimensionsDiameter 50 × Height 60
ConditionMint — new production
EraContemporary (in Victorian and Anglo-Indian horn-furniture tradition, c. 1860s–1900s design vocabulary)

Authentic

Insured

Curated

About this object

A drinks table in polished natural horn, the darker and more dramatic of two companion designs: here the round top is a field of tessellated black horn, cut through by a wheel of pale horn spokes radiating from the centre like light through a shutter, the composition held by a slender ring of bone before the black field runs out to a faceted, polished rim. Three horn legs carry it — selected for their deep smoke-and-amber striation and near-black tips — sweeping outward in the tripod stance that horn furniture made its signature in the Victorian decades, when these tables stood beside club chairs from London to Calcutta. All horn and bone used are ethically sourced cattle byproduct. Working dark horn raises the difficulty rather than hiding it. Black horn is unforgiving of fit: pale gaps of adhesive flash at every imperfect joint, so the tesserae must meet edge-to-edge with nothing to show. The spoke pattern compounds this — each ray tapers toward the centre, meaning every tile in it is cut to a slightly different geometry, laid, then the whole ground level and polished until the surface reads as one continuous material in two colours. The legs are matched as a dark trio, a different sorting problem from pale horn: the striations must agree in temperament, and the black tips must land at the same visual weight on the floor. As with all horn work, the material's variation makes the piece an edition of one. If its pale companion glows, this one smoulders — it is the table for the darkest, best room in the house. Beside a Chesterfield in a panelled study it almost disappears until lamplight finds the spokes; under a decanter it is the most photographed square half-metre in a whisky room. It pairs with deep leather, dark timber and brass without negotiation, and in a moodier modern interior — charcoal walls, smoked oak — it reads as sculpture. Of the pair, this is the one collectors of the masculine interior choose first.