A Lusso Mora Labelfurniture · Contemporary (Louis XVI style, 1780s design vocabulary)
₹33,000
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About this object
A round three-tier side table in the Louis XVI guéridon tradition — the small circular tables eighteenth-century Paris kept beside every chair for candlesticks, books and glasses, here given two extra storeys. The top tier is solid timber with a moulded edge over a neatly panelled frieze; the two tiers below are inset with hand-woven cane panels, lightening the table visually and announcing its craft. Four stop-fluted, tapering legs run the full height, interrupted at each tier by carved block joints, and finish on small turned feet. The whole is dressed in a layered grey wash, rubbed back at every edge so the timber shows through exactly where hands and use would wear it. The discipline in a tiered table is roundness repeated. Three circles must be turned or shaped to identical diameter and trued so each tier sits dead level off the same four legs — a tolerance test that cheap tables fail visibly at the second shelf. The cane panels are woven in the traditional octagonal mesh and set into their rims under a moulded bead, the same hand process as a chair back, done twice. And the fluting on the legs runs through three sets of joints without losing its line, which means the flutes are cut after assembly is planned, not before — the small sequencing decisions that separate a workshop from a factory. Tiered tables earn their floor space three times over, which is why they never go out of production. Beside a bed it holds lamp, books and water carafe on separate floors; beside an armchair it is a reading station; in a living room it works as a drinks table with bottles below and glasses above; in a bathroom it stacks towels and soaps. At 50 cm across it slips into gaps no cabinet can use, and the cane tiers keep it airy where a solid étagère would sit heavy. Pieces this useful tend to follow their owners from room to room for decades.
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