furniture · Colonial Revival, circa 1920s–1940s tradition; contemporary production

The Planter's Repose — Anglo-Indian Rosewood & Cane Plantation Armchair

₹34,000

Excludes 18% GST · added at checkout · Free shipping & authenticity

EMI Availablefrom ₹2,834/mo · 3/6/9/12 mo
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Details

Dimensions90 H × 65 W × 85 D; Seat height 38 cm
ConditionExcellent
EraColonial Revival, circa 1920s–1940s tradition; contemporary production

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About this object

The Planter's Repose is a masterwork of the Anglo-Indian furniture tradition — a form that emerged along India's colonial verandahs and bungalow halls, where comfort and climate demanded something entirely of its own logic. Constructed from solid Indian Rosewood, the frame carries the deep, almost lacquered darkness of Dalbergia sissoo — a timber that only deepens in character with the passage of time. The seat and back are hand-woven in open-hexagonal cane, a technique that circulates air against the body, making this chair as intelligent as it is beautiful. The scalloped apron rail and the delicate turned spindles beneath the crest rail speak a decorative language that is unmistakably subcontinental. Every element of this chair is made by hand, and the craft reveals itself in the specifics: the reeded columns of the front legs, executed on a hand lathe, carry a rhythm that no machine can replicate. The splayed rear legs — a structural ingenuity that lowers the centre of gravity and invites the sitter into a deep, unhurried recline — are shaped and joined with mortise-and-tenon joinery that has sustained plantation furniture across generations. The cane panels are woven in a traditional open hex pattern, each strand drawn taut and locked into the routed groove of the frame, creating a surface that yields under weight and springs gently back. Place this chair in a study, a reading corner, or against a washed plaster wall, and it becomes the statement that anchors the room. It belongs equally to a Bombay apartment with original mosaic floors, a Goa heritage villa with iron-grille windows, or a London flat where it will be the only piece of furniture that remembers what unhurried afternoons once felt like. It is not decorative in the way of objects meant merely to be seen — it is fully functional, deeply ergonomic, and designed to be sat in for hours with a book, a glass, and complete silence.